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Archive for October, 2017

Hello NaNonites.

 

I met a few of you at the kick off.

I’m Lori.  I write dark fiction and Halloween is my favourite flavour of holiday decoration.  I don’t get online every day, busy life and all.

You can find me on NaNoWriMo under my published name: LV Gaudet

https://nanowrimo.org

 

Are you ready for thirty days of obsessive writing?  One of the tools I like to use is mocking up a book cover for inspiration.  A visual of the literary feel of the story.

 

For those who don’t know what it is, NaNoWriMo stands for National Novel Writing Month.  For the month of November you pledge to write 50,000 words in 30 days.  Yeah, we’re nuts.  We are writers.  There is a wine that goes nicely with that.

 

I had to look back on my Nano books to figure out this is my 8th year.  Oops, I was a year off tonight.  I won three of those years.

Here are my NaNo creations in chronological order:

Garden Grove Cover - Amazon ebook - front cover

 

Garden Grove – Self published.

 

NaNoWriMo 2011 Cover

 

Untitled – I will come back to it.

 

Pageflex Persona [document: PRS0000035_00023]

 

The McAllister Farm (winner!) – Published by Indigo Sea Press, a small indie press in the US.

Blood cover

 

Blood (winner!) –  Based on the short story.  I will finish it, but it’s getting weird.

 

thumb

Butterflies in the Garden (winner!) – Needs a do over and I vote this worst ever mock cover.  This will eventually be published under my alter ego to frighten the middle years/teens.

 

Old Mill Road cover idea

 

Old Mill Road – Still a work in progress. On the back burner.  I’m still looking for the old Mill Road monster.

Nathan copy-NaNoNathan – Yeah, and then there is Nathan.  Nathan was born in Hunting Michael Underwood.  But, he wouldn’t stay there.  I only made 9000+ words and gave up.  But, the voices in Nathan’s head are still there.  They will get out.  Run.

Killing David McAllister

And this year’s Nano is Killing David McAllister.  Fourth book in the McAllister Series and it will be the final.  Hunting Michael Underwood was supposed to be the last, but the story was not done.  Well, except for the spin off.  White Van.  That was not a NaNo book.  I will get back to it.

 

If you find me on Twitter (@lvgaudet), you will probably see random posts about the #BigDumbBunny.  The name is self-explanatory.  She’s big.  She’s dumb.  And she looks like a big dumb bunny with those ears and the bunny hop.

 

Feel free to check out one of my blogs.

The Intangible World of the Literary Mind (lvgwriting.wordpress.com) is my first blog.  It’s a blog about writing and being a writer for writers.  I haven’t been as active as I would like to be.  Life and stuff.  Writing.  You get it.  I’ve posted stories, tips on writing, editing, creating platform, and promoting yourself and your writing.  I post my own tips as well as hitting the reblog button to share the advice of others.  I share (reblog) the odd book review and write my own book reviews when I have time to finish and review a book.  I have a lot of reviews I am behind on writing.  I post some random stuff too.

LV Gaudet, author (lvgaudet.wordpress.com) is a fan blog.  It’s all about the reader.  I share weird and creepy news stuff.  Sometimes podcasts by some other people who like dark stories.  And I post my own stories here.  I am working on being more sharing.

Vivian Munnoch, author (vivianmunnoch.wordpress.com) is a nom de plume.  An alias.  My sometimes alter ego.  I use this name for the child friendly stories.  This is where I would post anything to do with the younger realm of darkness.

 

 

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Inspiration is one of the great tools of the author.  Without it, we would be, well, a reader.

Of course, there is nothing wrong with being a reader.  It’s an important part of being an author and books are magic.

“If you want to be a writer, you must do two things above all others: read a lot and write a lot.” –Stephen King

 

Inspiration is as varied as the writers being inspired.  It can take on any form.  Music, taste, scents, the things you surrounding yourself with.

 

As a kid, I imagined having a Ray Bradbury Theater inspired writing office, filled with an eclectic collection of inspirational prompts.

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The adult reality: I’m lucky I now have a small desk crammed in the corner of the living room, where I am working in the midst of family life going on around me and dogs trying to wrestle under my feet.

 

We also can’t rely entirely on waiting for that inspiration to come.  We have to make it.  And when we can’t, we have to just plug away and work through it.

 

When you just can’t feel it, when the writing just won’t come, and you are sitting there telling yourself you suck, your writing stinks, why are you even doing this…

 

There is only one cure.  Just write.  Shut up. Stop imagining the criticism you think others would heap on you and just write.

 

Your writing won’t be perfect.  It won’t be spectacular.  Nobody would expect it to be.  That’s what the editing monster is for.  You can’t take that rough gem and make it shine if you don’t first dig it out of your imagination.

 

Here is why it is important to write even if you aren’t feeling it, even if the story won’t come and your mind is blank: by making yourself write, you are teaching yourself to write.  You are teaching yourself to be able to write whether or not you have that special pencil (ie George Stark’s (Stephen King’s the Dark Half) Berol Black Beauty pencil), the right location, the right mood, etc.  You are teaching yourself to take the inspiration from the act of writing and from the story itself.

 

What inspires?

I found my best, most inspiring moments of feeling inspired in one particular place and time:  At the camper, in the fall, waking up before everyone else including the dogs.  It’s quiet.  I sit at the kitchen table, the blinds open, and my view the array of fall leaves outside the window.  A cup of coffee.  Peaceful.

Unfortunately, that amounts to a handful of mornings each year that I can count on two hands or less and all in the span of those few short weeks.

 

When I can’t get the mood, I just write.

 

And if that fails, I edit.  I’d rather be writing, but just going back and editing can bring new ideas.  Edit your current work or something else that you put on the back burner.

 

If you are stuck and don’t know what to write, skip it.  Yes, just pass that scene over.  Leave a marker, whatever notes you need to remember what you were thinking and move on.  You can always come back to it and if it never comes then maybe the scene does not move the story forward and should killed.

 

Give them purpose and depth.

If a character is not inspiring, then make them be inspiring.  If they can’t drive your interest, they won’t drive the readers’ either.  Give them more depth.  More purpose.  Write a back story separate to the story if you must.

The same applies to the plot.  If the story itself is not enough to drive your inspiration, then something is probably missing.

 

If all else fails, add a Nathan.

Yes, Nathan.  You don’t want to meet Nathan.  Nathan is special.

Hunting_Michael_Unde_Cover_for_KindleIn writing Hunting Michael Underwood, I was in that very un-special place where I just did not know where to go next.  I knew what needed to happen to drive the story on, and I knew what I was leading up to.

I needed a catalyst.  Something to make the story implode.  Something that sucks the story into itself like a sinister entity in a B horror flick; that adds a new level of drama.  A sucker punch that neither the readers nor characters see coming.

 

I assumed I would edit it out on editing.

And thus Nathan came to be.  Nathan is unpredictable by nature. That makes the story unpredictable.

Nathan took a life of his own, added a whole new dynamic of drama I did not see coming, and pushed the story over the brink.  It was supposed to end there.  But Nathan spurred so many ideas that the story did not end.  Now I have to write another book in the series to reach that new conclusion, and it is not even about Nathan.

Nathan copy-NaNo

But Nathan does live on.  The voices are still whispering to him.  The monsters are still trying to get out of Nathan’s head.  And now I have to write Nathan’s story too.

Don’t be surprised if Nathan shows up randomly in other stories too.  After

 

all, Nathan is Nathan.  Nathan is unpredictable.

 

What inspires you?  What drives the writing urge, making the words fly through you to the page or screen?

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I’m one of those writers, the kind who have multiple writing projects on the go.  I have more than I can keep track of.

Ideas come to me all the time and at any time.  I have lost more good ideas than I care to remember, because they came to me when I was not in a time and place to be able to jot them down.

And then there are the times when I can let the idea flow, living and feeling it, getting it down.

When I can get the ideas down, it is not always handy to add them in at the right place in the right story.  They become the odds and ends, bits and pieces; the homeless scenes that need to be relocated to where they belong.

 

Which leads us to the dilemma:

The lost story bits.

 Working on one of my current works in progress, I cannot let go of the feeling that I am missing something.  Literally, not figuratively.

The_Latchkey_Kids_Cover_for_KindleThe problem:  I have a vivid memory of writing a particular scene to go in this story.  I also remember the scene feeling right, thinking this is it, this is *the* scene.  Thinking it is good.

 

It is a pivotal scene too.  The scene leads the reader on to learn more behind the bullying behavior of the character, Dylan, from the first story (The Latchkey Kids), and opens the story to lead up to his dark secret (The Latchkey Kids book 2).

 

Do you think I can find this scene?

Nope.

 

I have committed myself to thorough and random searches for any possible file, folder, and key words that might lead to the discovery of where this mislaid scene is hiding.

I am searching every possible dark corner this scene can be hiding in, files on the laptop including Word and backed up notes from my phone.  Emails. My phone.  Every scrap of loose paper I can find in the house where I might have wrote it down.

The scene exists.  I know it.  I feel it as certainly as I feel the lips on my face.  As certainly as I taste that sip of coffee.

Somewhere, in the dark murky depths, in that soulless cold world, with the faint hollow ringing of words crying out in your subconscious, that scene waits.  Lost.  Alone.  Desolate.  In the lost world of story bits and forgotten scenes; right next to the Ruins of Incomplete Stories and the ruination of the stories that went nowhere.

 

Someday, little scene, I will find you.

Unfortunately, by then I will have already rewritten a new scene.

 

 

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