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Posts Tagged ‘creating mood’

Writing is about stringing words together to tell a story.

Good writing is about doing that in a way that speaks to the heart of the reader, drawing them in, and not letting go.

If you need the truth of it, it’s the massive hours spent editing that make your story come alive.

This is where you have to put on all your hats.

You edit the general story, scenes, and flow of the story itself. Pick apart the details, add and remove them, and research little things that seem unimportant but are important to the reader who knows more about it than you.

You edit for grammar and sentence structure, wondering if you could pass a fifth grade English Language Arts test.

You become a copy editor, seeking every wayward character, backwards quotation mark, and researching the proper usage of the “. . .” Character.

Most importantly is the careful picking apart and nitpicking of the little details in your choice of words.

There is something to be said for the words you use. Careful choice of words changes the meaning and tone.

Here (excerpt from Where the Bodies Are below), I changed “with” to “to”. Because, when people are gathered, eager for news, they are not really talking with someone. With implies a shared moment, not the shallow moment they are in. They would be talking to each other. Talking at each other. Any response is irrelevant unless it feeds the yearning for more juicy gossip.

“The normally empty foyer is filled with people, most of them talking animatedly or looking around eagerly for someone to talk animatedly to.”

Where the Bodies Are and the subsequent books in the series are currently in transition, being revised and edited to return better and bolder.

As a writer, you never stop seeking to improve your craft. And, what you wrote years ago is not going to meet the quality of your writing today. Given the chance, I am taking the McAllister series and putting that improved skill to work, improving on the flow and feel of these stories.

Watch for the rerelease of Where the Bodies Are.

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.polar bear scream and poop

It’s one of those ugly little things in life.

Everybody’s poop stinks.

How many of us try to avoid using a public washroom when you have to go “number two”, fearing embarrassment that someone else might smell our stink.

How many of us have had the misfortune of walking into a bathroom to be encased in the stench of doom aka the odious odor of the sulfurous mushy mass of bacteria ravaged compounds (poop) that had been deposited and flushed just before?  Your automatic reaction is to cringe, gag, gasp for air only to suck in a mouthful of stink and gag again because oh for pity sake I can TASTE it.  You hold your breath in disgust and make a hasty retreat.

This is the universal kind of experience you know your readers can relate to.

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moodCreating mood is essential to good story telling.  Your readers will read your story, that’s the given obvious.  But will they just read it, or will the experience it?

How will you draw them into the story?  To make them feel what your characters feel?  To feel like they are really there?

In short, triggers.  Memory is a powerful tool.  Certain things can trigger memories, both latent and cognisant memories.

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stinkyOlfactory senses can trigger both of these.  We aren’t there yet to create books full of scents that tease your nose to match the scene on the page.  Maybe someday, but not yet.  And scratch and sniff is not feasible.  Besides, who would actually by a book that smells of poop?  So, it’s probably a good thing.

By adding in your characters’ reactions to their surroundings, the smells that are ever present but suddenly brought to your characters’ attention by what is happening in their world, you can trigger the memory of those smells in your reader.  That, my friend, pulls the reader inside the world on your pages.  The sudden assault on their senses of the sweet perfume of roses when they walk through the garden gate before they can see what the yard beyond holds, perhaps to find a contradictory scene of ruin beyond the remains of the first spoiled rose bushes laying tattered on the ground just inside the gate.

Whether the scents are pleasant or vile, expected or out of place, they can trigger in your reader an automatic response they don’t even realise they are having.  A subliminal affect that pulls them ever deeper into the drama unfolding for your characters.  And when they purposely draw on a memory the scent brings to their mind, it brings your story home to them, making both author and the story more memorable.

Anyone can write a mediocre/good story.  It takes work and attention to detail to write a great story.

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where the bodies areL.V. Gaudet is the author of Where the Bodies Are
What kind of dark secret pushes a man to commit the unimaginable, even as he is sickened by his own actions?

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Watch for book 2 of the McAllister series coming soon:  The McAllister Farm.  Take a step back into time to learn the secret behind the bodies.

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Garden Grove-title & bad bullet holeAlso coming soon:  Garden Grove.  Vandalism, altered blueprints, an entire work crew poisoned, and someone is planting old human remains, all apparently to stop the Garden Grove community development.  Who is trying to stop it and why?

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Links to purchase this and other upcoming L.V. Gaudet’s books

Link to reviews of Where the Bodies Are on Angie’s Diary

https://angiesdiary.com/bookoftheweek-web/081-botwoct262014.html

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