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via Where the Winter Wind Howls by L.V. Gaudet

Where the Winter Wind Howls

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strange thing 2

A strange thing happened on the way to the blog.  I received an email out of the blue from someone I’ve never heard of.  That’s not so strange in itself; I get enough spam to feed a spambot until it vomits flowery poetry.

 

What was strange is that it was a request for an interview.  This wasn’t the usual, “Let’s fill out interview questions and share them on each other’s blogs to cross promote ourselves,” interview request.  This was a straight up, “I want to interview you.”

It surprised me.  The first thing I did was check the email address it came from.  It looked legitimate.  Then I skimmed (that’s what my eleven year old called it) her online.  I Googled, found and checked profiles on Facebook and LinkedIn, investigating if the person looks legitimate.  She looked legitimate.

uh oh

It was time for the, “Oh, uh, wow?” moment.  Me?  Why me?  Out of all the authors out there?

Now I had to know.  I’m not a cat, so hopefully curiosity won’t bring me to my swift demise.

I asked others on one of the author groups what they thought.

I contacted the young lady requesting the interview to ask those two big questions: Why me? – and – How did you happen to find me?

Honestly, I didn’t think I would be all that findable without specifically looking for me.

Her answers were simple.  I’m an author and she got my information from the local writers’ guild, which I’m a member of.

 

terrorThen I had a moment of terror.  I’ve never had a real interview.  I almost did once on a blog radio show, but it fell through due to technical issues.  We, the interviewers and my fellow intervewee, spanned states and countries.  Something went wrong and we couldn’t call in.  The blog show failed after too, so there was no redo.

Why does that even matter?  Because, I was in very near to a state of panic.  An actual talking interview with people I have to answer on the spot.  I can’t come back hours later when I think of something that I think sounds clever.

And now I’m panicking again at the thought of a face-to-face interview.  I would have to try to be clever on the spot.  I can’t do that.  I can write, the words coming effortlessly and fluidly, and sounding marvelous.  I can’t bloody talk.  In fact, I’m pretty sure I sound like a complete moron when I talk.  The words in my head just don’t come out the same way through my mouth.  My brain freezes, I jumble, stumble, and stutter.  I couldn’t do a speech with my eyes glued to the cue cards I’m reading mechanically from.

 

leave your comfort zoneTo truly live, you have to step out of your safety zone.  I decided to swallow my anxiety and give it the old college try.

It made it easier that I wasn’t doing it for myself.  I can’t count the times I opted not to do something because it was just for me.  I’m not used to doing things just for me.

The young woman interviewing me is from McMaster University. She won funding for a research project exploring the connection between Canadian literature and identity.  I was a stop on her trek across Canada interviewing authors about their craft and sense of identity as Canadians.

I went to the interview hoping that I would be of help, but still with that nagging doubt pulling on me like a toddler sized imp trying to whisper in my ear, “Why you?”

I survived the interview and she didn’t look ill listening to my jabbering.  I have to say, the best part of the interview was the end when I gave her a copy of my latest published book, The McAllister Farm.  She was actually excited I gave it to her.
impAfter the interview, that same nasty little imp kept tugging on my shirt hem and whispering my doubts.  Why me?  There are a lot of authors out there, ones people actually heard of and know; authors who sold a lot book books and made bestseller lists, and everything.  Telling me, “You don’t even feel like a real author.”

 

magic quill

What does it take to make you feel like an author?  Of course, the simplest answer should be, “You wrote a book,” or, “You published a book.”  If only life were so simple for everyone.

 

In all the years I spent writing, I’ve always had that nagging doubt.  I’m nobody.  Unknown.  Just some person with a story in her head (okay many stories) that need to get out.  I’m not James Patterson or Stephen King.  I don’t go by the moniker Dean Koontz or any other name anyone would recognize and say, “Hey, that’s an author!”

I always had the doubt, expecting anyone at any time to say I’m wasting my time, I’m not a “real” author, or that my writing stinks like the rancid breath of the partially desiccated reanimated corpse of a komodo dragon with a dead skunk stuck in its mouth.

Even after my first book, Where the Bodies Are, was published, doubts remain.  It’s only one book, after all.  But, it can’t be all that bad if someone else found it worthy of publication, right?  I still didn’t feel like a “real” author; which is probably odd, since I would without question think of anyone else who published a single book as a “real” author.

Now I have a couple of books published, with Indigo Sea Press picking up not only Where the Bodies Are, but also my latest book, The McAllister Farm.

With published books I now have to count on more than one finger, I still don’t feel authorey; and yes, I did just make up that word.

intangible personTo me, an author has always been that intangible person on the other side of the book.  The magic behind the story.  Funny, I don’t look or feel magic.  Not mystical in any way.  I’m just me.

If I had ten published books, I would probably feel the same way.  I’m just me.  Someone asked me to autograph my book she bought and it felt really weird.  I very recently sold a few books to a few people I know and they asked me to sign them.  It felt just as strange, awkward really, in a, “This is a joke, right?” kind of way.  And these were all people I’ve known for years.  I might get sucked into an abyss of weirdness in the floor if an actual stranger wanted me to sign a book.

I’m not sure what it will take before I feel like a “real author”.  At what point this will happen, if ever.

I asked my eleven year old what would make her feel like a “real author”.  Her answer: “If my books sold; lots.  A lot of them.”

I asked my thirteen year old the same question. Her answer: “When a lot of people buy my books and are asking for them, and when I’m making a good profit.  And, when I’m a New York Times bestseller, because all my books are New York Times bestsellers.”

pose question.jpg

I pose the question to you, and this is all about YOU, not for you to try to convince me that I’m a “real” author.

 

Authors: What made or would make you feel like a “real author”?

Readers: What defines a “real author” for you, as opposed to thinking, “Yeah, whatever, so you wrote a book, but you aren’t a real author”?

 

Let the game begin.

Can you handle a little darkness?

L.V. Gaudet is the author of the McAllister Series and Garden Grove.

Tormented by his inability to stop killing, the killer is taunted by his need to find the one thing he must find …

where the bodies are

Learn the secret … behind the bodies and how the man who created the killer became who he is …

McAllister Farm cover 052316_edited-1 - front cover.jpg

The third book will bring these two stories together for a dramatic climax… but no story truly ends.

 

Sabotage, vandalism, poisoned work crew, buried bones, and two strange old people … why is someone trying to stop the new housing development?

Garden Grove Cover - McNally - front cover

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email vomitWe all want to wow people into following us. Whether you are a published author, a professional reviewer (aka you write reviews on various products either for monetary compensation or in exchange for free stuff, with the expectation of getting some form of compensation for ever review), some form of professional or quasi-professional, or just blogging for kicks, it’s the reason you blog. It’s the reason I blog. Otherwise, we’d all just be giving out TMI and posting pics of our pets and suppers on Facebook and not bothering to write blogs.

 

want more followersProducing good and interesting content is the way to go. The blogosphere is the boxing ring and we are doing the dance off, yelling “PICK ME! PICK ME!”

Successful blogging means not just getting your articles read, but gaining followers and keeping them. It is writing articles they want, and sharing articles that will interest your followers.

 

Whatever the content you share, you need to do it often enough that your followers don’t forget you exist. When that happens, you sink into the black abyss of the web.  You don’t want to go there, because I’ve heard ugly rumors of what resides there. Yes, ugly.

Things like this.spider monster

It is a dark and terrifying place. Cold too, very cold. Or is that the chill of fear dripping down your spine?

 

Finding interesting content to share means following others. Successful blogging also works on a quid pro quo, only without the expectation of always getting something in return. No, it’s not squids gone pro. If you don’t know what quid quo pro means, you can Google it. Basically, it means you scratch my back and I’ll scratch yours.

In blogging, you follow others, who may or may not follow you back. You share their content because you liked it or think your readers might. You follow rules of decorum. In other words, play nice.

 

blah blah blah

But, every now and then, you encounter the over-sharer.  This is the blog world’s equivalent of the Facebooker who spams your feed with so many posts of their kids, their pets, their meals, what they did, are doing, and are about to do, Oh, very large hammer.jpgand what they are doing now, and now, yeah you get it … until you find yourself so sickened by their posts that you want to put your own eyes out, cancel your FB account, and put your computer out of its misery with a very large hammer. (Wow, that is one heck of a run on sentence, just like those annoying posts without end. OMG, there was a period in there but it still never really ended, did it?)

 

The blogger over-sharer will put up a mass of posts, their own or shared; at this point it really doesn’t matter. The thing is, unlike FB, when a blogger posts a vomit of blog posts and you do not have your notifications turned off, each and every post will ping your email inbox.

Yes, each and every one. So, you can turn off notifications and not know when one of the sites you follow posts an interesting blog, sending them to the bloggo black hole and likely forgetting to check and follow them (because you are so darned busy and these things just happen).

Or, you are subjected to having your email inbox spammed. Bloggers who spam you with 36 blog posts, each pinging your email inbox individually, because you made the mistake of following them, just aren’t getting it.

vomit

Now, when I get 36 bog posts from the same blogger spamming my email inbox, they have effectively vomited in my inbox. Yes, I had 36 one day, all at once, an incessant ping ping ping ringing and pinging. I had to shut my phone off and count the toll later.

 

 

Delete and unfollow. Yes, Virginia, there is such thing as too much.

 

unfollow
You need to strike a balance in your blogging.

balance

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.polar bear scream and poop

It’s one of those ugly little things in life.

Everybody’s poop stinks.

How many of us try to avoid using a public washroom when you have to go “number two”, fearing embarrassment that someone else might smell our stink.

How many of us have had the misfortune of walking into a bathroom to be encased in the stench of doom aka the odious odor of the sulfurous mushy mass of bacteria ravaged compounds (poop) that had been deposited and flushed just before?  Your automatic reaction is to cringe, gag, gasp for air only to suck in a mouthful of stink and gag again because oh for pity sake I can TASTE it.  You hold your breath in disgust and make a hasty retreat.

This is the universal kind of experience you know your readers can relate to.

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moodCreating mood is essential to good story telling.  Your readers will read your story, that’s the given obvious.  But will they just read it, or will the experience it?

How will you draw them into the story?  To make them feel what your characters feel?  To feel like they are really there?

In short, triggers.  Memory is a powerful tool.  Certain things can trigger memories, both latent and cognisant memories.

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stinkyOlfactory senses can trigger both of these.  We aren’t there yet to create books full of scents that tease your nose to match the scene on the page.  Maybe someday, but not yet.  And scratch and sniff is not feasible.  Besides, who would actually by a book that smells of poop?  So, it’s probably a good thing.

By adding in your characters’ reactions to their surroundings, the smells that are ever present but suddenly brought to your characters’ attention by what is happening in their world, you can trigger the memory of those smells in your reader.  That, my friend, pulls the reader inside the world on your pages.  The sudden assault on their senses of the sweet perfume of roses when they walk through the garden gate before they can see what the yard beyond holds, perhaps to find a contradictory scene of ruin beyond the remains of the first spoiled rose bushes laying tattered on the ground just inside the gate.

Whether the scents are pleasant or vile, expected or out of place, they can trigger in your reader an automatic response they don’t even realise they are having.  A subliminal affect that pulls them ever deeper into the drama unfolding for your characters.  And when they purposely draw on a memory the scent brings to their mind, it brings your story home to them, making both author and the story more memorable.

Anyone can write a mediocre/good story.  It takes work and attention to detail to write a great story.

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where the bodies areL.V. Gaudet is the author of Where the Bodies Are
What kind of dark secret pushes a man to commit the unimaginable, even as he is sickened by his own actions?

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Watch for book 2 of the McAllister series coming soon:  The McAllister Farm.  Take a step back into time to learn the secret behind the bodies.

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Garden Grove-title & bad bullet holeAlso coming soon:  Garden Grove.  Vandalism, altered blueprints, an entire work crew poisoned, and someone is planting old human remains, all apparently to stop the Garden Grove community development.  Who is trying to stop it and why?

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Links to purchase this and other upcoming L.V. Gaudet’s books

Link to reviews of Where the Bodies Are on Angie’s Diary

https://angiesdiary.com/bookoftheweek-web/081-botwoct262014.html

Follow L. V. Gaudet:

Facebook author page

Google+

Instagram

Pinterest

Twitter

WordPress

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booksWhy the Heck Would I Need an ISBN?

Okay, so I have never actually asked myself that question, or asked anyone else.  I have always known what an ISBN is since I was old enough to understand that every book had one.  It is that long number that every printed book has, somewhere on the book cover and on the page inside the front cover listing the copyrights.

Yes, there is more to it than that, but that is all I knew and all I needed to know as a lover of reading books that I had always only picked up off the shelf of a library or used bookstore, at a charity run used book sale, or at a garage sale.  That’s how book lovers feed their reading addiction when they don’t have any money.  I spent years playing at writing before ever becoming seriously involved in actually considering publication as a goal.  There was a lot I did not know, and there is still a lot I need to learn.  Being an author, and a published one, is a never-ending journey of learning.  Just when you think you are getting there, the landscape of publishing changes and you have new things to learn.

For today, the focus is on ISBNs.

All books have them, but why?  What are those ISBN numbers on the copyright page and book jacket of every book for?

ISBN stands for International Standard Book Number.

We should get one thing clear first.  Getting an ISBN is not copyrighting your work.  The ISBN has nothing to do with copyrights and does not guarantee your copyright rights.

The ISBN serves one purpose only – it is a marketing tool.  The ISBN is a catalogue number.

Is an ISBN necessary?  By my research, absolutely not.   At least, not if your publishing intentions are very limited.  You can even epublish on some sites without an ISBN; however it limits your markets.

If you are just going to get a few dozen or a hundred copies of your book printed at a printing company (note I say “printing company”, not “vanity press”.  They are two very different kinds of businesses, and for this purpose I would recommend using a printing service that promises only to create a printed product and nothing else) to give to family and friends, or share them in ebook form through emails or on your blog, then the ISBN is unnecessary.

If you plan to publish through a publishing company or self-publish, in print or ebook, and sell your book in the hope of selling many copies, then you will probably need an ISBN.

If a publisher picks up your book they’ll look after the ISBN.

If you decide to self-publish you’ll need to get one yourself.

Some Ebook sites and self-publishing print services, including Amazon, won’t let you put your book up on their site without an ISBN number.  And that goes whether you are charging $6.99 for your book, $0.99, or offering it for free.

Smashwords will allow you to put your book on their site without an ISBN, but they recommend having one.  Sony and Apple require ISBN’s.  I recommend reading Smashwords’ information on ISBNs before deciding whether to use their free one or get your own.  Note: Smashwords’ free ISBN has Smashwords as the registered publisher and should not be used anywhere else.  In other words, you would need a separate ISBN number for Amazon, Barnes & Noble, etc, rather than to use the free one provided by Smashwords for those sites.  Some of those sites may required their own ISBN number anyway, listing them as the publisher.

Special note:  being listed on the ISBN records as the publisher does NOT make them the publisher.  It just means they are the entity who paid for and registered the ISBN number.

If you are using any kind of a self-publishing printing service or vanity press, they will likely have an option to include the ISBN as part of their services.  But before you go ahead and take their ISBN number you need to answer one question.  Who do you want listed as the publisher?  The printing service or vanity press will most likely be listed as the publisher for the ISBN they provide you.  If you want yourself to be listed as the publisher you have to get the ISBN yourself.
What is an ISBN?
ISBN – International Standard Book Number

This basically is just assigning a catalogue number to a book.

The ISBN is broken down into parts.

isbn breakdownEAN – Bookland country code.  Apparently books live in a world of their own separate from ours called “Bookland”.  In the land of books, this identifies what country the book comes from.  Luckily for us non-book beings, the numbers also coincide with the countries of our own world.

Group – identifies the language the book is written in

Publisher – identifies the publisher of the book (aka the person or business who filed the ISBN number for the book)

* oddly enough, it seems that when a publisher exhausts its block of ISBNs, instead of receiving an additional block with the same publisher identifying number, they are given a new identifying number for the new block of ISBNs.  I don’t know why this is.

Title – identifies the book title

Check Digit – this is akin to a spell check for the people assigning ISBNs.  If this number is not what they are looking for, then an error was made.

What the ISBN does is it simplifies a retailer’s search for a particular book.  Making it easier to find your book instead of, say, the same title by another author will make the difference on getting that sale.

You will also need a separate ISBN number for each edition of a book:  one for hardcover, one for paperback, and one for ebook.

If you do minor typographical corrections it is considered a reprint and new ISBNs are not necessary.

If there are major changes, additions, or deletions, then you are publishing a new edition of the book and need a whole new set of ISBNs.

Obtaining the ISBN

Of course, how you obtain your ISBN and what it costs depends entirely on where you are located.

In the United States, ISBN’s are sold by a commercial company.  Naturally, they charge accordingly.  After all, they aren’t doing it simply to be kind.  After getting your ISBN, it is up to you to have it registered with RR Bowker, the database for the ISBN agency.  www.bowkerlink.com

If you plan to publish a lot, it’s much cheaper per ISBN to get a block of them instead of just one.  Once you have them, you can use them as your books are published, registering the book information at that time.

In Canada, the Canadian government offers the ISBN for free.  Isn’t this just a wonderful country to live in?  Okay, it’s a perk that Canadians enjoy, but it doesn’t make the rest of publishing easier.

Typically, publishers will obtain blocks of ISBNs at a time because of the cost.  This includes small presses and indy publishers, self publishing services, and vanity presses.  In most cases, you can get that ISBN included when you have your book published with them.  It may even be a requirement.

Come and Get Your Free ISBNs!

Some organizations may offer “free” ISBNs or an ISBN as part of a printing package.  One source said that even Bowker, the company in the U.S. where publishers get their ISBN numbers from, offers free individual ISBNs.  However, I haven’t found the Bowker link to confirm this.

AUTHOR BE WARNED:  While it might not cost you a dime for that free ISBN, you are in fact giving up having your own name listed as the publisher.

It sounds pretty dire, doesn’t it?  That is exactly the tone I got from some articles I read on ISBNs.  But it is a tone I disagree with.

You will still be listed on the book as the author.  You are the author and nobody can take that away.  If someone listed themselves as the author of your book, that makes you either a paid ghostwriter by choice, or a victim of plagiarism.  But that is a topic for another day.  You just won’t be listed as the publisher in the records for the ISBN number.  This is a distinction that may be completely unimportant to you since very few people will actually look up your ISBN number to find out who the publisher on record is.  It’s much easier to just read the publisher name on the copyright page at the beginning of the book.

Not being listed as the publisher is entirely to be expected when dealing with an actual paying publisher.  After all, they are the publisher while you are the author, and nowhere in the ISBN is there a number specific to the author of the book.

Publishers are buying the publishing rights to your book, paying you royalties, and will list themselves as the publisher of note.

However, if you are self publishing or publishing through a vanity press (best to be avoided), or through a self-publishing service (different from a vanity press), and are trying to brand yourself as such, then you will probably want to be listed as the publisher.  However, when it comes down to it and nobody except the ISBN people ever see that, it probably really doesn’t matter.

When an organization or individual obtains a block of ISBNs, the publisher digits will be assigned to that organization or individual and are non-transferable.  As I said before, however, being listed in the ISBN records as the publisher really just identifies the company or person who has filed the ISBN, regardless whether they are the actual publishing house, self-published individual, or a publishing provider like Amazon filing on behalf of a publisher or self-published author.

That means, even though you are self-publishing, it will forever be noted in the annals of history within the offices of the ISBN people, aka the records likely no one else will ever see, that for that particular ISBN number XYZ Publisher is the publisher of that book and not you.  Chances are you may end up with multiple ISBN numbers listing various companies as the ‘publisher’ if you a publishing on multiple platforms like Smashwords, Amazon, Barnes & Noble, etc.

On the bright side, you can go through the entire process to get a new ISBN for your book any time you want.

So, while some may argue that you should never to let your self-published book be listed as published by anyone but you on the ISBN records, it really doesn’t matter beyond a personal preference.  All your readers will see is an ISBN number like this, and will never see the information on the paperwork filed away in some dusty filing cabinet:

ISBN 978-1-63066-051-2

(This particular ISBN happens to be for

Where the Bodies Are print edition

published by Second Wind Publishing, LLC.

But you would never know that from just the number)

 ISSN – International Standard Serial Number

This is the same thing as the ISBN, but is for periodical publications (ongoing series), such as magazines or a book series.

Sources for this article include:

http://amydeardon.blogspot.ca/2009/02/ownership-isbn-digital-rights-and-self.html

http://en.wikipedia.org/wiki/International_Standard_Book_Number

http://isbn.org/standards/home/isbn/international/html/usmfaq.htm

http://publishingcentral.com/articles/20030119-21-3060.html

http://www.collectionscanada.gc.ca/isn/041011-1000-e.html

http://www.ebookcrossroads.com/isbn.html

http://www.isbn.org/standards/home/isbn/us/isbnqa.asp

http://www.thebookconsultant.com/LPMArticle.asp?ID=151

http://www.thebookdesigner.com/2010/03/isbn-for-self-publishers-answers-to-20-of-your-questions/

http://www.thebookdesigner.com/2010/11/isbn-101-for-self-publishers/

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thLOBMMAGPWhat can be harder than being a writer? Being a Canadian Writer.

Of course, there are other countries that similarly have their own challenges when it comes to writing.

As Canadians, much of our experiences are influenced by our neighbors to the South. Most of our online feeds are filled with U.S. content. Our world news feeds tend to be dominated by their news events. Our own Canadian made movies and television content even seems to be lacking in comparison to what is available on U.S. television, with the notable exception of Vikings, which is a Canadian/Ireland co-production filmed in Ireland and written by Michael Hirst, and Englishman.

If you search publishers, both large and small independent publishers, literary agents, book printers catering to the relatively newly accepted (and still growing out of the slop-heap of disdain by non-self published writers into acceptability) self-publishing writers, you get long lists of possibilities.

The problem is that almost all of them will be South of that border that is not only a barrier to free movement of people back and forth (you have to line up and make offerings by way of showing your passport and answer questions that make you feel like you are interviewing to join some special and secret club to pass in either direction to visit your neighboring country), but also is a barrier to the simple and free movement of joining the ranks of going from some guy or chick who wrote a book to being some guy or chick who has a published book.

That’s great if you are a U.S. citizen, not so great if you are Canadian.

The Canadian publishing market in all ways seems almost non-existent compared to our neighbors to the South.

We have a handful of just a few literary agents, compared to the much larger population of them over the border. Although, in recent years it seems that most of the U.S. agents I followed online have moved on to other forms of employment. (Could the literary agent be a slowly dying breed?)

Odds are, any attempts to contact and court one of these very few Canadian agents in the hope they will consider you as a client will be met with … nothing. They won’t even bother to take the time to respond because they are very few.

Similarly, getting a response from a publisher if you are a U.S. citizen sending query letters to a U.S. publisher are about a thousand times more likely to receive no response at all than a polite rejection. And a thousand times more than that likely to not receive an invitation to send your manuscript.

The Canadian market for authors seeking publishers is the size of one of those little nubby things on a new car tire compared to the number U.S. publishers of various sizes (the whole tire being all the U.S. publishers).

Canadians are notoriously charged more for most things than our U.S. neighbors are too. Everything from clothing to food to raw materials to services like book printing cost more North of the border. If it is shipped to Canada, you can pretty safely assume the price was hiked because they can get away with charging more. That makes the both the cost of living and the cost of doing business higher than it would be otherwise. Books and other printed material are one of the products where this is obvious. In Canada, books must list the Canadian price too, which is always considerably higher.

That means you can expect to pay more for any services associated with publishing and being published, and having to charge more for your books to recover your expenses.

So, what is a Canadian writer to do?

With the added challenges of trying to be a Canadian published writer, your odds of success are likely none to something North of there. If you have not made a name for yourself to attract the attention of Canadian publishers and agents, it’s going to be like finding intelligent life on another planet, seemingly forever out of your reach.

Your best chance is to open yourself to markets outside of Canada. But that too has its own set of challenges. You can be published anywhere in the world, as long as you are not actually being paid for it.

Being a Canadian writer published outside of Canada and being paid for it is a whole new challenge, especially if you prefer to not be taxed by both countries on that income.

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Today I am pleased to present a guest to the blog.

 

Joan De La Haye

 

Fellow author Joan De La Haye joins us to in a blog interview. Pull up a chair and your favourite cup of tea, glass of wine, or whatever, and let’s join Joan for a few questions.

 

Joan has written Burning, Requiem In E Sharp, and Shadows.

 

 

 

 

 

  1. Is there an author or book that inspired you to write, whether to become a writer or just to write a specific story?

 

      That’s a tough question. I grew up in a household full of books. Both my parents were avid readers and I grew up with a love for books and stories. My Grandmother once said that I was writing stories before I could even walk properly. Writing was something that I always wanted to do. When I was about 12 or 13 I wrote a fairytale and forced everybody in my class to read it. But I couldn’t really tell you who or what really inspired me to be an author, I think it was just every book on the shelf that I read and loved that made me want to be able to take others on those sorts of journeys as well.

 

 

  1. burning-cover-1What is your last story and what made you want to write it? What was the inspiration, the drive that started the idea for it?

 

      My last story is called Burning. It’s about a witch who takes drastic and dangerous steps to improve her love life with deadly consequences. It started off as my failed attempt at writing something romantic and erotic, because everybody kept telling me that I should. So I did and failed. Burning ended up being anything but romantic. My publisher did however come up with the label ‘erotic horror’ for it, so I guess I at least did succeed in writing the erotic bit, just not the romantic bit.

 

 

 

  1. It is the age old debate: scene setters vs. seat writers. What is your writing process like? Do you outline extensively, carefully mapping out your story ahead, or do you just go with the flow writing as it comes to you?

 

         I don’t map my stories out at all. I start off with a basic idea of how the story starts and where it might end up. But it just builds from there. It’s almost like watching a movie in my mind which, unfortunately, sometimes hits the pause button while my brain and the characters argue about where the story is going to go.

 

 

  1. We all know names hold a certain amount of power to give us all a pre-judged idea of what a person is like. You want to hate someone just for having the same name as a despised ex, a strong sounding name makes you think they must be strong, and a name like Poindexter, well you get the idea. How important are your character names to you? What resource would you recommend for someone having trouble finding names?

 

      It all depends. Sometimes people will ask me to name a character after them. Sometimes I name a character after an ex-boyfriend, like in Burning (although he did ask me to do that). Sometimes I’ll name a character, especially a character that’s going to die really badly, after someone I really, really don’t like. And then there are times when I’m at a complete loss and I have to consult a baby name book which also gives you the meanings of the names which comes in handy when trying to figure out if a name will suit a specific character or not.

 

 

  1. Each writer has their favourite type of scene, the kind of scene that just flows naturally for them. Is there a certain type of scene you find hard to write?

 

      Sex scenes! I find getting the balance in them just right is a little difficult. You don’t want it to be just a boring blow by blow sort of thing and you also don’t want it to end up being overly flowery, romanticised twaddle that won’t turn anybody on and will only result in uncomfortable giggling.

 

 

Requiem Cover

 

6.    If you could give only one piece of writing advice to an aspiring author, what would it be?

 

      Just focus on writing that first word, then the first sentence and the next sentence. Before you know it you’ll have the first paragraph and then the first page. Writing is sometimes like walking, you just have to keep putting one foot in front of the other. Also read extensively in all genres.

 

 

 

  1. What is your best do or don’t marketing tip?

 

      Don’t spam. The thing that will stop me from ever buying an author’s book is if they friend me on Facebook with the sole purpose of messaging me to tell me to buy their book or getting me to like their author page. If you haven’t bothered to interact with me on any other level there isn’t a snowballs chance in hell that I’m going to rush out and buy your book because you begged me to do so on Facebook or twitter.

 

 

  1. What is your pet peeve when it comes to writing? It could be about any part from the writing process to publication, marketing, fans, etc.

 

      It’s the self-entitlement that I’m seeing amongst some newbie and aspiring writers that gets to me. The fact that they think other published authors owe them something confuses me. If you want to get published write a good story and submit it and keep submitting it. You have to pay your dues like the rest of us. You don’t just private message a published author and say ‘Hey! I want to be a writer, so you have to help me.’ We don’t have to do anything of the sort. There are plenty of books and online resources available for newbie writers; they really don’t need to demand it from other writers who have deadlines to meet and books to write. And what really gets to me is how rude some of them are when demanding it. One so-called aspiring writer even went so far as to try and get my home phone number so they could harass me at home. That kind of attitude boggles my mind.

 

 

  1. Reviews can drive writers to distraction; looking for them, yearning to get them, and scared of getting them. At the same time it takes a certain kind of reader to put themselves out there and actually post a review. How do you go about encouraging your readers to rate your books or stories and post reviews? How do you respond when you get a negative review?

 

      I must admit I’m rather bad at getting people to review my books. I try to every now and then put a little note up on twitter or Facebook to ask that if they read the book and enjoyed it, that a review would be greatly appreciated but I don’t hound people for reviews, which is probably why I don’t have that many reviews on Amazon.

 

      As to how I deal with a bad review … well … I think it depends on just how bad the review is and whether it’s constructive and fair or not. If it’s a fair review I process what the reviewer said and implement it in my future works. And by process I mean glug a glass of red wine and eat a slab of chocolate. But if it’s just a particularly nasty one where you can see that the reviewer wasn’t actually interested in writing a fair review or if it just wasn’t the sort of book, no matter how well it was written, that they would enjoy there’s not all that much I can do about it. Those sort of reviews you have to just shrug off, hard as that may be, because those tend to be more about the reviewer than about the book.

 

 

  1. And finally, the question every author’s fan wants to now: What are you working on now? What is your next published project going to be?

 

      I’m busy working on a full length novel called Fury which is due for publication in June 2016 by Fox Spirit books. I’ve also got a couple short stories coming out in anthologies. The first of which is European Monsters due out in November.

 

Thank you Joan for joining us.Shadows cover

 

 

 

You can follow Joan and her writing here:

Website: http://joandelahaye.com/

Twitter: https://twitter.com/JoanDeLaHaye

Amazon: http://www.amazon.com/Joan-De-La-Haye/e/B002CJBAWY

 

 

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